Aging Exponentially
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A couple
weeks ago I wrote Kathy, “I have aged ten years since I had surgery in January.”
Today Kathy wrote me, “I’ve aged twenty years since this coronavirus pandemic.”
Since Kathy is close to ten years younger, that makes us about even.
Fears,
worries, lack of solutions, illnesses, deaths, feelings of isolation and
helplessness—all take their toll, on our bodies, minds and spirits.
It was March
before most of us realized the dangers which surround us. March when we began
to hunker down and discover the benefits of solitude. Here it is the end of
October and it looks like we are in for the long haul. No wonder visible aging
accelerates day by day.
It helps
neither my peace of mind nor the image I see in my mirror that my baby, my
youngest, my son, had his forty-third birthday this week. I just felt
forty-three more wrinkles latch onto my face.
Meanwhile,
over at my little dining table, surrounded with children’s art supplies, I make
a wind-back-the-clock discovery. I have two projects going, one a collage and
the other a . . . uh . . . a creation, sorta, using crayons and water colors.
One thing
that is liberating about using simple crayons and scrap paper is that I’m not
wasting expensive oils and canvases in practice sessions destined for the trash
can.
A more
important liberation—no rules. I don’t have to color in the lines and if a fish
appears in the treetops, who is to tell me it is wrong! After all, if the fish wants to be in the tree, who am I to tell
it, “Shoo, go away.”
Last
wintertime when I was bed-bound, another friend gave me a coloring book for
adults and a set of colored pencils. I thumbed through the elaborate designs.
Some deep instinct held me back. I couldn’t do it.
Sure, the
pages were pretty and required a good sense of color combinations but also
required one to stay within pre-set lines. I gave the book and pencils back,
with awkward thanks.
As a
meditative practice, I know the coloring book has value. It’s simply not mine,
not for now.
When I am coloring
with a grandchild, I might color a hippopotamus purple and my small companion
thinks nothing of it. And if I add wings and boots to the hippo, we both giggle
with glee.
Grandchildren
are long ago and far away though I have three little great-grandchildren who
would more than suffice if only visiting was safe. So I content myself with
playing with my own little girl, an inside job.
I dabble at
my ‘art’. It’s not a job. There is no deadline. The table stays littered with
scissors, paper scraps, crayons. Nobody is coming to dinner.
My snips and
scribbles gave me an ‘ah ha’ moment through a buried memory. Back in Mrs.
Brown’s first grade class I reigned the undisputed best with scissors, paste
and crayons. While coloring a picture for a contest, the sky was blue, the
grass green, tree trunks brown, none of my colors dared wriggle outside the
lines.
I don’t
recall every detail in the picture except a seemingly vast expanse of grass,
which I filled in with horizontal care. Until the final three square inches,
which I made strongly vertical.
I remember
Mrs. Brown’s expression of horror, “Why did you do that?”
What could I
have answered? I remained mute. Adults ask the vilest of unanswerable questions
to six-year old children.
If I could
time travel I would fill the sky with fishes, and plant a purple hippo with red
mud boots and a flowered straw hat in that final plot of green grass. Just for
fun.
Sondra
Ashton
HDN: Looking
out my back door
October 29,
2020
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